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Participation: 100%
Play Time: 2:10 - 3:20
Play Time: > 3:20
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Bach
J. S. Bach — Minuet in G, BWV App. 116 (arrangement for violin–viola duet)
Alexander Evstyugov-Babaev
2:23 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 14 0 1 3 100%
Violin
I		 Treble 13 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 14 0 1 3 100%
Violin
I		 Treble 13 0 1 4 100%
 
The Twelve Days of Christmas - Male A Cappella
Jesse David Sykes
5:47 Est. Play
Time
216 Measures
2,376Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 20 0 1 10 97%
Treble 15 0 2 8 83%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 20 0 1 10 97%
Treble 15 0 2 8 83%
Baritone Bass 12 0 2 9 95%
Bass Bass 15 0 3 8 76%
 
Gottes Zeit ist die allerbeste Zeit. BWV 106
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)
BSG
2:43 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 4 6 100%
Treble 16 0 6 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 4 6 100%
Treble 16 0 6 4 100%
Realization Treble 16 46 5 7 100%
Tromba Treble 11 0 1 5 100%
Viola 18 0 6 6 100%
Continuo Bass 25 0 8 4 92%
Violoncello Bass 25 0 8 4 92%
Alto Treble 14 0 4 5 81%
Bass Bass 16 0 4 4 81%
Soprano Treble 11 0 1 4 81%
Tenor Treble 15 0 5 6 81%
 
Handel Messias
raphael05
3:10 Est. Play
Time
95 Measures
2,721Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 2 5 100%
Harpsichord Treble 29 155 4 5 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 2 5 100%
Harpsichord Treble 29 155 4 5 100%
Viola Treble 16 0 2 5 99%
Bassoon Bass 20 0 2 5 98%
Violin
I		 Treble 20 0 1 6 98%
Tenor Treble 13 0 1 5 96%
Violin
II		 Treble 21 0 3 5 96%
Bass Bass 14 0 2 6 95%
Alto Treble 13 0 2 5 92%
Oboe Treble 12 0 0 5 87%
Soprano Treble 12 0 0 5 87%
Trumpet
I		 Treble 11 0 1 5 64%
Trumpet
II		 Treble 7 0 0 5 52%
Timpani Bass 2 0 0 5 51%
 
Cadenzian
Pockatist5
3:20 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 22 0 0 12 100%
Treble 19 4 1 10 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 22 0 0 12 100%
Treble 19 4 1 10 100%
Double
Bass		 Bass 14 1 0 6 100%
Violoncello Bass 15 0 1 11 100%
Viola 18 0 1 11 93%